Fragments

Through interviews, essays, and studio visits, we share the stories of contemporary art and its contexts. We look at their process, successes, and championed failures and engage with the larger contemporary sphere outside of our collection.

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June 29, 2021

The Radical Act of Deduction: Décollage

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April 7, 2020

Happy Accidents: Amber Cobb

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May 28, 2020

I Love New York But I Live In Denver: Mario Zoots

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June 18, 2021

Ways to Spell The Word Assemblage: Merz, Ready-Mades, Counter-Reliefs

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May 27, 2021

Eradicating Prejudice: Activism & Visual Language

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May 12, 2021

Pull These Flamboyant Patterns: Joseph Coniff's Panel Compositions

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April 28, 2021

A Revealing Look into the Work of Rafael Santiago

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April 14, 2021

Gesturing Towards Complexity with John Baldessari

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April 5, 2021

Body as Collage, Architecture as Affect: On the Sculpture of Amber Cobb and Collage of Amy Boone-McCreesh

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March 17, 2021

Jessie Laura: I Create My Own Restrictions

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March 10, 2021

Send Me Blue Reports From The Field: 44 Propositions on Gabriel de la Mora's 900 VII

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February 24, 2021

Max-o-matic: The Possibility of Creating Stories is Endless and the Possibility of Creating Love, Infinite

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February 17, 2021

Appropriation as Process

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February 10, 2021

Supplemental Mediations: Marginalia & Kensuke Koike's Big Beach

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February 3, 2021

Collage as a Process for Reclamation: Black Collage in Conversation with Teri Henderson

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January 5, 2021

Mutable & Elusive: Power of the Unperson

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December 23, 2020

The Busyness of our World Pauses with the Work of Anthony Zinonos

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December 9, 2020

The Austere Working Conditions of Michael DeSutter and his 9–5

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October 13, 2020

Elementary Tools and Linguistic Interpretation: The Inquisitive Works of Joel Swanson

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April 29, 2020

Circular Notions with Maya Varadaraj

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April 18, 2020

Knowledge is Power: Collage is a Tool

Title for Fragments
Video Series

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